Politicians like Stefanik and the billionaires who love to exploit their vapidness will always be fighting to go backwards. Which is why Crip Camp is essential viewing now, in 2024, and forever after.
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The problem is not writer’s block; it feels more like writer’s mud.
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To be called the sincerest felt like a patronizing consolation prize—good effort, kid!—when what I wanted to be was good.
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For the last couple of months, in my capacity as editor of Saranac Review, I’ve been working with Prose Editor Gbolahan Adeola on a special issue about making art in times of crisis.
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I found a revelatory reading experience, perfect for the moment we are in: a book about individuals with their separate hopes and fears, brought together by a need for home, hope, and the safety and support of a collective.
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The UnReformed podcast has been in my feed for months, but I put off listening to it until last week. I knew it would be hard to listen to, but once I started, I couldn’t stop; the story is too urgent.
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